Wednesday, May 6, 2020

Essay on Tragic Flaws in Oedipus the King - 3561 Words

Oedipus the King, Sophocles’ classical Greek tragedy, presents tragic flaw(s) as the cause of the near-total destruction of the life of the protagonist. This essay examines that flaw. In his essay â€Å"Sophoclean Tragedy† Friedrich Nietzsche agrees that there is an â€Å"error† within the protagonist, but refrains from specifying exactly what it is: The most pathetic figure of the Greek theatre, the unfortunate Oedipus, Sophocles takes to be a noble man called to error and alienation in spite of his wisdom, yet called too, in the end, through monstrous suffering, to radiate a magic power rich in a blessing which works even after he passes on. . . . these very actions attract a higher, magical circle of influences which ground a new world†¦show more content†¦In Aristotle’s view, then, Oedipus’ misfortune was directly ocasioned by some serious hamartia. . . . The word hamartia is ambiguous: in ordinary usage it is sometimes applied to false moral judgments, sometimes to purely intellectual error - the average Greek did not make our sharp distinction between the two(18-19). This view of a tragic flaw, moral or intellectual in nature, within the protagonist is not shared by all literary critics. Robert D. Murray, Jr. in â€Å"Thought and Structure in Sophoclean Tragedy† gives a formalist’sperspective on the issue: For the formalists, A. J. A. Waldock answers the moralists with appealing indigantion, in his discussion of the Oedipus Tyranus: We know little of Sophocles’ religion. . . . He believed that there are ups and downs in fortune, and that men are never secure. . . . There is no meaning in the Oedipus Tyrannus. There is merely the terror of coincidence, and then, at the end of it all, our impression of man’s power to suffer, and of his greatness because of this power. Now Waldock’s reaction is surely a needed response to the ultramoralistic notion that Sophocles was driven by an urge to warn his contemporaries that they should not be rash or proud lest a vengeful heaven strike them down. . . .(24-25) Waldock’s interpretation runs counter to that of Charles Segal in Oedipus Tyrannus: Tragic Heroism and the Limits ofShow MoreRelatedThe Tragic Flaws Of Oedipus The King1352 Words   |  6 Pagesbecome their greatest weaknesses. Their strongest traits can turn into their tragic flaws. A tragic flaw is a trait viewed as being favorable to a character at first, but it leads to their later downfall. It was often used in ancient Greek tragedies to show that mankind was susceptible to flaw. This was present in Sophocles s tragedy, Oedipus the King. The protagonist of the tragedy, Oedipus, was not exempt from his own flaws. 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Several elememts are nevcesary to have a tragic hero, they are the tragic flaw, the reversal, recognition, and hubris. These generally make up the story of the tragic hero, and in the case of Jocasta, the wife and mother of Oedipus in Sophocles’ Oedipus the King, she posses all three. Yet sheRead MoreHamlet vs. Oedipus Essay898 Words   |  4 Pagesby William Shakespeare and Oedipus in Oedipus King by Sophocles In Aristotles literary discourse, Poetics, he discusses his theory of tragedy, wherein he introduces the concepts of tragic flaw or hamartia, which serves as the catalyst for the protagonists downfall or the tragedy of the story to happen. He determines a tragedy as a drama that brings about a sorrowful conclusion, arousing fear and pity in the audience (Roberts and Jacobs, 1998:1189). Tragic stories are identified through

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